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Showing posts with label Federico Garcia Lorca. Show all posts
Showing posts with label Federico Garcia Lorca. Show all posts

Wednesday, January 31, 2018

Nobeli kirjanduspreemia 1971: Pablo Neruda

Tšiili luuletaja, pedagoog ning diplomaat Ricardo Eliécer Neftalí Reyes Basoalto (1904-1973) valis oma pseudonüümi Pablo Neruda Tšehhi luuletaja Jan Neruda eeskuju järgi. Pablo Neruda sai mehe kodanikunimeks aastal 1943.


Neruda poliitiline roll Tšiili ajaloos on sama märkimisväärne kui tema panus ladina-ameerika kirjandusse: 1970. aastal kuulus aastaid diplomaadi mappi kandnud Neruda Tšiili presidendikandidaatide hulka. Aasta hiljem pälvis luuletaja Nobeli kirjanduspreemia.

Üks hispaaniakeelse kirjanduse tähtsamaid esindajaid ning kaasnobelisti Gabriel Garcia Marquezi poolt 20. sajandi tähtsaimaks hispaania keeleruumi luuletajaks tituleeritud Neruda kirjutab tundelisi vabas riimis värsse nii lihalisest kui filosoofilisest armastusest ning kodumaast; samuti on talle omased oodid ja sonetid. Nerudat on nimetatud Ladina-Ameerika Walt Whitmaniks.


Neruda on ilmselt tänapäevani üks tuntumaid ladina-ameerika luuletajaid - minu teadmiste kohaselt tuntum kui talle eelnenud Gabriela Mistral, keda Neruda muide ka tundis: Mistral oli Neruda lapsepõlvelinna tüdrukute kooli õpetaja. Samuti tutvus ning sõbrunes Neruda tuntud luuletaja Federico García Lorcaga.

Eesti keeles on ilmunud luulekogud "Kivid ja linnud", "Poeedi kohus. Vaikigem", "Kapteni laulud" , ning Neruda memuaarid.

Mõned inglisekeelsed näited Neruda luulepagasist:


Enigma with Flower

Victory. It has come late, I had not learnt
how to arrive, like the lily, at will,
the white figure, that pierces
the motionless eternity of earth,
pushing at clear, faint, form,
till the hour strikes: that clay,
with a white ray, or a spur of milk.
Shedding of clothing, the thick darkness of soil,
on whose cliff the fair flower advances,
till the flag of its whiteness
defeats the contemptible deeps of night,
and, from the motion of light,
spills itself in astonished seed.

***


From The Heights Of Maccho Picchu

Rise up to be born with me, brother. 
Give me your hand from the deep 
Zone seeded by your sorrow. 
You won’t return from under the rocks. 
You won’t return from your subterranean time. 
Your hardened voice won’t return. 
Your gouged-out eyes won’t return. 

Look at me from the depth of the earth, 
laborer, weaver, silent shepherd: 
tamer of wild llamas like spirit images: 
construction worker on a daring scaffold: 
waterer of the tears of the Andes: 
jeweler with broken fingers: 
farmer trembling as you sow: 
potter, poured out into your clay: 
bring to the cup of this new life 
your old buried sorrows. 
Show me your blood and your furrow, 
Tell me, “Here I was punished, 
Because the jewel didn’t shine or the earth 
Didn’t yield grain or stones on time.” 
Show me the stone you fell over 
And the wood on which they crucified you, 
Make a spark from the old flints for me, 
For the old lamps to show the whips still stuck 
After centuries in the old wounds 
And the axes shining with blood. 
I come to speak for your dead mouth. 
Across the earth come together all 
The silent worn-out lips 
And from the depth speak to me all this long night 
Like I was pinned down there with you. 
Tell me all, chain by chain, 
Link by link and step by step, 
Sharpen the knives which you hid, 
Put them in my breast and in my hand, 
Like a river of yellow lighting 
Like a river of buried jaguars 
And let me weep, hours, days, years, 
For blind ages, cycles of stars. 

Give me silence, water, hope. 

Give me struggle, iron, volcanoes. 

Stick bodies to me like magnets. 

Draw near to my veins and my mouth. 

Speak through my words and my blood. 


Neruda luule inglise keeles (link) (link) (link)

Wednesday, September 8, 2010

33. Federico Garcia Lorca: Gypsy Ballads

Sõnamuusikaks (verbal music) nimetab Robin Skelton Federico Garcia Lorca, Hispaania lemmikluuletaja loomingut.
"Gypsy Ballads" ehk "Romancero gitano" ilmus 1928 ja on see, mille järgi enamik Euroopat Lorcat tunneb, aga tema sulest on tulnud ka näiteks näidendeid ja filmistsenaarium.
Lorca ja Dali sõprusest/armusuhtest (kuidas soovite) vändati kaks aastat tagasi Little Ashes.
Ühesõnaga, kui te Lorcat lugenud pole, peaksite temast vähemalt kuulnud olema.

Ja õigustatud on Lorca au ja kuulsus ja tahe tema mõrvarid linnaväljakul neljaks rebida, sest tegu on suurepärase sõnalõime ketramisoskusega mehega. Võime loodust, inimest, naist, armastust, nii kaunilt ja nukralt ja sügavalt ja lõikavalt ja helisevalt sõnadesse ja värssidesse panna on kadestusväärne.

Kas üht luulekogu on üldse võimalik analüüsida? Ja kas Lorca puhul on võimalik ühe luulekoguga piirduda? Võin küll öelda, et mulle meeldib tema varasem looming rohkem, lühemad luuletused rohkem kui lehekülgi haaravad ballaadid, kuigi sealgi võlu ei kao.

Jätan edasised kommentaarid ja lasen Lorcal ise rääkida. Hermann Hesse iseloomustas oma retsentsioone alati nii: "Kui mul midagi head öelda pole, vaikin". Mina vaikin, sest lugesin just Lorcat ja ei soovi midagi lisada.
Nautige.
(Eesti keelde tõlgib/tõlkis Lorcat Ain Kaalep, aga minu riiulis on hispaania- ja inglisekeelne väljaanne.)


Variations

The air's unmoving water
under the echo's bough.

The water's unmoving water
under the stars' leaves.

Your mouth's unmoving water
under a thicket of kisses.


The Second Anniversary

The moon plunges its huge
horn of light in the sea,

a green and grey unicorn,
tremulous, but in rapture.
The sky floats over the air
like an enormous lotus.

You alone are strolling
the farthest farm of the night.


The Gypsy and the Wind

Playing her parchment moon
Precosia comes
along a watery path of laurels and crystal lights.
The starless silence, fleeing
from her rhythmic tambourine,
falls where the sea whips and sings,
his night filled with silvery swarms.
High atop the mountain peaks
the sentinels are weeping;
they guard the tall white towers
of the English consulate.
And gypsies of the water
for their pleasure erect
little castles of conch shells
and arbors of greening pine.

Playing her parchment moon
Precosia comes.
The wind sees her and rises,
the wind that never slumbers.
Naked Saint Christopher swells,
watching the girl as he plays
with tongues of celestial bells
on an invisible bagpipe.

Gypsy, let me lift your skirt
and have a look at you.
Open in my ancient fingers
the blue rose of your womb.

Precosia throws the tambourine
and runs away in terror.
But the virile wind pursues her
with his breathing and burning sword.

The sea darkens and roars,
while the olive trees turn pale.
The flutes of darkness sound,
and a muted gong of the snow.

Precosia, run, Precosia!
Or the green wind will catch you!
Precosia, run, Precosia!
And look how fast he comes!
A satyr of low-born stars
with their long and glistening tongues.

Precosia, filled with fear,
now makes her way to that house
beyond the tall green pines
where the English consul lives.

Alarmed by the anguished cries,
three riflemen come running,
their black capes tightly drawn,
and berets down over their brow.

The Englishman gives the gypsy
a glass of tepid milk
and a shot of Holland gin
which Precosia does not drink.

And while she tells them, weeping,
of her strange adventure,
the wind furiously gnashes
against the slate roof tiles.


(Federico Garcia Lorca: Songs and Ballads. In english versions by R. Skelton. Montreal, 1992.)